24th Garden State Film Festival - 2026

Please check back for more reviews and exclusive content!!!

Red Carpet Moments - Hear from some of the talent behind this year’s films!!!

Susan Gomes & Michael Walker
on The Legend of Juan Jose Mundo (2025)

Havilah Malone on
I’m in Love (2026)

Marlyn Bandiero & Al Bandiero
on Standoff (2026)

Alex Alessi on
Homebody (2026)

Nika Stewart on
Actually I Can (2026)

Selected Feature Film Reviews

The Legend of Juan Jose Mundo
⭐️⭐️⭐️⭐️

Brothers on Three
⭐️⭐️⭐️⭐️

Selected Short Film Reviews

Game Boys
⭐️⭐️⭐️

Missy’s Voice
⭐️⭐️⭐️⭐️

PIEGIRL
⭐️⭐️⭐️

You Need to Smile More
⭐️⭐️⭐️⭐️

The Legend of Juan Jose Mundo
⭐️⭐️⭐️⭐️

Feature Film (Narrative)
Film Production Companies: Pango Films, American High, Call Sheet Films
Rating: NR / Run Time: 94 minutes
Language: English
Director: Michael Walker
Writer(s): Susan Gomes and Michael Walker
Starring: Anna Mirodin, Alexandro Byrd, Hannah Kepple, Chase Vacnin,
John Wollman, Eli Gottsegen and Mason D. Nelligan

“I feel like at home, no one understands me.”

It’s 1984 in White Plains, New York, and Julie (Mirodin) is excited. She has signed up to be part of an international student exchange program. After hosting a female student, she’ll get the opportunity to travel to Spain. However, when that student is unable to come, Julie’s family agrees to host Juan Jose (Byrd) instead so she can still participate. Julie, a young woman trying to come to grips with her own growing pains and rapidly raging hormones, is a little unsure about sharing her home with a boy—but when he arrives, she is determined to make it work. She quickly becomes a bit infatuated with him, and before long, everyone else is too. As Juan Jose ingratiates himself into Julie’s social circle, he proves to be quite the casanova.

It’s not just Julie who takes notice—her BFF Suzanne (Kepple) also has her eye on him. As Julie tries to figure out how to find her way into Juan Jose’s gaze, he becomes involved with her friend Andy’s (Vacnin) band, The Mundos, and hopes to turn the upcoming talent show into something more. As this group of teens begins to orbit one another, a trip into New York City for a day of fun and independence brings unexpected consequences. We begin to see that first impressions aren’t always what they seem—and those realizations carry real ramifications for everyone involved.

Thinking back on the simpler times of the 1980s, we’re reminded that while some things have improved, in many ways, teens are still teens. In The Legend of Juan Jose Mundo, co-writers Gomes and Walker—drawing from Gomes’ own experiences growing up in New York—craft a protagonist in Julie who feels just as relevant today as she would have forty years ago. This isn’t just a coming-of-age story for young women, but for any awkward teen struggling to communicate what they feel or need. In a landscape where films like American Pie or Superbad dominate, we don’t always get the female perspective, and The Legend of Juan Jose Mundo belongs in the conversation alongside films like Booksmart and Eighth Grade. While it doesn’t lean into extremes, the film offers an honest and grounded look at growing up and coming to terms with hormones and emotions.

Each performer brings a wonderful energy to their role. As Juan Jose, Byrd exudes effortless charisma, peacocking his way through the hearts of the many girls who swoon. Kepple, playing the archetypal best friend, elevates Suzanne beyond the standard “friend with a crush.” However, the standout is Mirodin as Julie—someone who feels poised for a breakout moment. She is utterly endearing, and with just a look, she conveys so much emotion that you can’t help but feel for Julie every step of the way.

In telling this story, Walker has assembled a team of artisans who expertly capture the 1980s aesthetic. Olivia Duca’s costuming channels the energy of acid-wash jeans, denim jackets, and big hair we all recognize, while Annie Simeone’s production design—supported by Jack Ryan’s art direction and Nicole Montagnino’s set decoration—creates interiors that feel strikingly authentic. During the New York City sequence, the gritty streets and uneasy atmosphere (which have thankfully softened over time) provide a distinct backdrop that reinforces the era and adds texture to the story. All in all, The Legend of Juan Jose Mundo is a heartfelt coming-of-age comedy that transcends stereotype and reminds us of a simpler time.

Review by Cinephile Mike

Brothers on Three
⭐️⭐️⭐️⭐️

Feature Film (Documentary)
Film Production Companies: Five By Eight Productions, Center Mass
and Rowdy House
Rating: NR / Run Time: 102 minutes
Language: English
Director: Sean Mullin
Writer(s): Brian Anthony and Sean Mullin
Starring: Coaches and Members of the West Point Rugby Team across time

“Being a good leader isn’t about how you win, but how you handle a loss.”

     According to the opening of Brothers on Three, “Less than 1% of Army officers ever reach the rank of General Officer. West Point Rugby players are over 300% more likely to make the rank of General Officer than the typical West Point cadet.” From there, we are thrown onto the pitch with the team during the 2022 National Championship games. One of the greatest honors—beyond being accepted to West Point—is becoming a member of the institution’s rugby team. As unusual as it may seem, even when players describe how counterintuitive it is to play a sport built on constant collisions, there is a deep sense of pride in being part of a team that becomes a surrogate family—almost a fraternity—within the ranks.

In this documentary, director Sean Mullin sets out to explore the history of the program, the impact it has had on its players, and not just the success of a dominant team, but their historic victory—when, for the first time in the program’s history, they captured the Men’s Division 1A Rugby National Championship. There is no denying the love of the game at West Point. We are treated to many talking-head interviews, including those with the late Lt. Col. Michael Mahan, the so-called “Godfather” of the program, who coached the team for 27 years. Through these perspectives, we gain insight into just how vital the sport is to the development of the young men passing through the academy.

However, it isn’t all victories and grueling workouts. As we meet more players, we begin to understand just how demanding the sport can be—and what happens when that sense of honor is compromised. Through candid interviews, team members speak honestly about the toll the sport takes and what it ultimately means to them.

Additionally, we learn the stories of several team members who, through their service, are no longer with us. The film shows how the team continues to support their families, reinforcing just how deeply this program functions as a family. As former players transition into coaching roles or rise to high-ranking positions, there is a sense of pride that may be difficult for outsiders to fully grasp. The need to constantly prove oneself to maintain a place on the team is evident, and the honor associated with that commitment comes through clearly.

For me, the most fascinating aspects of the film are the exploration of the rules of the game, the friendly rivalries, and the history behind its traditions. When the film leans into these elements, it truly soars—even if it occasionally feels repetitive. Where it slightly falters is in trying to cover too much additional ground, causing the narrative to lose some focus. While we remain connected to the team, the broader themes don’t always carry the same weight, leaving you to question their inclusion. At times, it feels as though the story might have been better suited to a mini-series format rather than a single feature.

That said, the editing team of Devin Dulany and Mel Mel Sukekawa-Mooring effectively weaves together archival footage, varied talking-head interviews, and helpful explanatory subtitles to keep the story moving. For example, we hear from Martin Pengelly, author of Brotherhood: When West Point Rugby Went to War, which hints at a deeper historical thread—particularly around the impact of 9/11—but that thread feels somewhat at odds with the film’s primary focus on the 2022 championship team. All in all, this documentary proves both inspirational and educational for those interested in learning more about this historic sport—one where, quite literally, we crash into one another.

Review by Cinephile Mike

Game Boys
⭐️⭐️⭐️

Short Film (Narrative)
Rating: NR / Run Time: 5 minutes
Language: English
Director(s): Kylie Mundell, Millie Munoz and Ava Schniderman
Writer(s): Olivia Manor, Kylie Mundell, Millie Munoz and Ava Schniderman
Starring: Sebastian Calvanese-Carter, Cameron Jackson, Marcus
Rothenberg and Kash Velasquez

“You could have a friend.”

Imani (voiced by Jackson) spends her time immersed in her favorite video game. It brings her joy, and it’s all she wants to do. She plays for hours as Evergreen (voiced by Rothenberg), battling Blackheart (voiced by Calvanese-Carter), determined to complete the game. But when Lucas (voiced by Velasquez) causes an accident that may prevent her from playing again, everything shifts. Soon after, through a strange turn of events, Evergreen and Blackheart emerge from the game and appear in Imani’s driveway, turning both her world and Lucas’s upside down.

Blending 2D and 3D animation, Mundell, Munoz, and Schniderman craft a playful short that balances humor with teen angst. Supported by a strong score from Benjamin Davidson, the film feels like it could easily expand into a longer series while still delivering a clear message about the importance of human connection. All in all, this quick short leaves you wanting more, but its lesson still lands.

Review by Cinephile Mike

Missy’s Voice
⭐️⭐️⭐️⭐️

Short Film (Narrative)
Film Production Companies: IDC Entertainment, See These Films
and Lights Camera Podcast
Rating: NR / Run Time: 18 minutes
Language: English
Director: Joe Gawalis
Writer: Karen Goeller
Starring: Bruna Novais, Braxton Paul, Eva Jette Putrello, Alexis V. Martinez,
Margot Beresh and Michele Frantzeskos

“Who does she think she is? She’s not better than me.”

Missy (Novais) is beyond excited that she has been selected as the soloist in the upcoming 8th grade concert. Singing is her passion, and it’s all she wants. Boosting her confidence is her best friend Laura (Paul), the kind of cheerleader anyone would be lucky to have. Unfortunately, not everyone shares her enthusiasm—most notably Lisa (Putrello), the Regina George of the middle school, always flanked by Tracy (Martinez) and Anna (Beresh). The constant bullies tease Missy for her talent and try to make her feel inferior. But one day, they go too far, and through a series of events, Missy suffers an accident that may keep her from performing in the show after all.

Writer Karen Goeller presents a familiar pre-teen story but manages to bring a bit of freshness to the cautionary tale. While the outcome is fairly predictable, it remains a concise and pleasant journey, elevated by the charisma of Bruna Novais. Her emerging vocal presence and positivity carry the film, while director Joe Gawalis ensures key moments land with authenticity across the performances. All in all, this film is a sweet reminder not to let detractors hold you back.

Review by Cinephile Mike

PIEGIRL
⭐️⭐️⭐️

Short Film (Documentary)
Rating: NR / Run Time: 6 minutes
Language: English
Director: Daniel Quiyu
Starring: Chelsea Frost, Laura Angarone and Rebecca Sheridan

“Pies bring up a nostalgic feeling.”

     On W. Ward Street in Hightstown, New Jersey sits Pie Girl, a small independent bakery run by Chelsea Frost—the subject of this documentary. Using imagination and high-quality, locally sourced ingredients, Frost creates a display of pies, sandwiches, and quiche designed to evoke nostalgia through taste and smell. As she explains in talking-head interviews, she aims to reconnect people with those sensory memories. This short documentary captures her business and its growing presence.

Playing more like an extended commercial—but a very appetizing one—Quiyu blends archival photos, interviews with employees and customers, and a warm visual style to highlight the impact of this small business. It also underscores the importance of supporting local shops. Shot with clear affection, the film is likely to leave viewers hungry, with its close-up imagery of baked goods doing most of the emotional heavy lifting. All in all, this doc may have you heading out—by car or NJ Transit—to bring something home, but you may want to be quick, because what’s available one day might be gone the next.

Review by Cinephile Mike

You Need to Smile More
⭐️⭐️⭐️⭐️

Short Film (Narrative)
Rating: NR / Run Time: 10 minutes
Language: English
Director: Jasmine Lo
Writer: Jasmine Lo
Starring: Charlie Morris, Franco Leo, Lisa Sharpe and Brandon Anthony-Newton

“There’s no need to be so emotional at work.”

     Cassie (Morris) is nearing a breaking point. Working at Sammy’s Tech Shop and dealing with a constant stream of customers, she is doing her best—but she is exhausted. Struggling financially, acting as the primary breadwinner at home, and supporting her father (Leo), she just wants to do her job and be left alone. But in a world that constantly reminds her to “be nice,” she is tired of being told how to behave. As pressure builds, she finds herself heading toward an inevitable breaking point.

An honest look at rage—and specifically female rage—Lo taps into the frustration of being told how to act within rigid social expectations. In a world where RBF is treated as a flaw, even when it’s just neutrality, the film highlights how close people can be to a tipping point without others realizing it. Charlie Morris delivers a strong performance, and as Cassie edges toward collapse, you can’t help but empathize with her. Lo refuses to soften the edges of that emotional reality. All in all, this intense short makes you think twice before telling someone how they should behave.

Review by Cinephile Mike

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